Looking at the world from a different angle
London Projects
COMPANY
Heathfield CC
ROLE
Photographer
EXPERTISE
Photography/Editing
YEAR
2024
Physical Photography
"Rip and tear, until it is done"
For my London Project, I enjoyed most working with physical photography edits because I could interact with the photograph on a more hands-on and imaginative level. I liked being able to tear, slice up, and overlap photographs, creating new textures and contrasts that could not be achieved through digital editing by itself. For example, in one of them I mixed vibrant graffiti with the black-and-white surroundings of the underground so that the artwork just appeared that much more. In another, I tore and overlapped different architectural photographs of London buildings to create striking contrasts between new and old. This involved a more personal and expressive process, whereby each frayed edge and placement were integrated into the overall composition to make the revisions separate and aesthetically pleasing.
Physical Photography
"Rip and tear, until it is done"
For my London Project, I enjoyed most working with physical photography edits because I could interact with the photograph on a more hands-on and imaginative level. I liked being able to tear, slice up, and overlap photographs, creating new textures and contrasts that could not be achieved through digital editing by itself. For example, in one of them I mixed vibrant graffiti with the black-and-white surroundings of the underground so that the artwork just appeared that much more. In another, I tore and overlapped different architectural photographs of London buildings to create striking contrasts between new and old. This involved a more personal and expressive process, whereby each frayed edge and placement were integrated into the overall composition to make the revisions separate and aesthetically pleasing.
Physical Photography
"Rip and tear, until it is done"
For my London Project, I enjoyed most working with physical photography edits because I could interact with the photograph on a more hands-on and imaginative level. I liked being able to tear, slice up, and overlap photographs, creating new textures and contrasts that could not be achieved through digital editing by itself. For example, in one of them I mixed vibrant graffiti with the black-and-white surroundings of the underground so that the artwork just appeared that much more. In another, I tore and overlapped different architectural photographs of London buildings to create striking contrasts between new and old. This involved a more personal and expressive process, whereby each frayed edge and placement were integrated into the overall composition to make the revisions separate and aesthetically pleasing.
Light Trails
"Pretty lights :3"
For my London Project, I also loved applying light trail photography edits as they allowed me to be more experimental and abstract with the process of image-making. I travelled to locations such as the Tate Modern, Southbank, and Central London to photograph architecture and cityscapes, which provided a good foundation upon which to integrate my light trail work. The Tate Modern photo, for example, uses a black-and-white photograph of the building's hard, industrial lines and overlaid it onto splashes of orange and yellow light trails that I created in a darkroom. I loved how the image allowed me to merge two very different things—the hard, static city with the fluid, kinetic movement of light. Every picture was different and unexpected, with the paths injecting energy and a feel of life into the hard urban landscape, making the pictures look more expressive and visually interesting.
⭐️
Connect to Content
Add layers or components to make infinite auto-playing slideshows.
⭐️
Connect to Content
Add layers or components to make infinite auto-playing slideshows.
Physical Photography
"Rip and tear, until it is done"
For my London Project, I enjoyed most working with physical photography edits because I could interact with the photograph on a more hands-on and imaginative level. I liked being able to tear, slice up, and overlap photographs, creating new textures and contrasts that could not be achieved through digital editing by itself. For example, in one of them I mixed vibrant graffiti with the black-and-white surroundings of the underground so that the artwork just appeared that much more. In another, I tore and overlapped different architectural photographs of London buildings to create striking contrasts between new and old. This involved a more personal and expressive process, whereby each frayed edge and placement were integrated into the overall composition to make the revisions separate and aesthetically pleasing.
This is the maquette I created for the architecture physical photography section I created
This is the maquette I created for the portrait physical photography section I created
This is the maquette I created for the portrait physical photography section I created
This is the maquette I created for the architecture physical photography section I created
Light Trails
"Pretty lights :3"
For my London Project, I also loved applying light trail photography edits as they allowed me to be more experimental and abstract with the process of image-making. I travelled to locations such as the Tate Modern, Southbank, and Central London to photograph architecture and cityscapes, which provided a good foundation upon which to integrate my light trail work. The Tate Modern photo, for example, uses a black-and-white photograph of the building's hard, industrial lines and overlaid it onto splashes of orange and yellow light trails that I created in a darkroom. I loved how the image allowed me to merge two very different things—the hard, static city with the fluid, kinetic movement of light. Every picture was different and unexpected, with the paths injecting energy and a feel of life into the hard urban landscape, making the pictures look more expressive and visually interesting.
This is the maquette I created for the portrait physical photography section I created
Tate Modern & Southbank
"See great art from around the world"
Tate Modern & Southbank - FILL THIS OUT!
Light Trails
"Pretty lights :3"
⭐️
Connect to Content
Add layers or components to make infinite auto-playing slideshows.
⭐️
Connect to Content
Add layers or components to make infinite auto-playing slideshows.
Tate Modern & Southbank
"See great art from around the world"
Tate Modern & Southbank - FILL THIS OUT!
Graphic Design Poster Creation
For this section I looked into creating posters from clean edits
The Maquete
Graphic Design Poster Creation
For this section I looked into creating posters from clean edits
The Maquete
Light Trails
"Pretty lights :3"
For my London Project, I also loved applying light trail photography edits as they allowed me to be more experimental and abstract with the process of image-making. I travelled to locations such as the Tate Modern, Southbank, and Central London to photograph architecture and cityscapes, which provided a good foundation upon which to integrate my light trail work. The Tate Modern photo, for example, uses a black-and-white photograph of the building's hard, industrial lines and overlaid it onto splashes of orange and yellow light trails that I created in a darkroom. I loved how the image allowed me to merge two very different things—the hard, static city with the fluid, kinetic movement of light. Every picture was different and unexpected, with the paths injecting energy and a feel of life into the hard urban landscape, making the pictures look more expressive and visually interesting.
Tate Modern & Southbank
"See great art from around the world"
Tate Modern & Southbank - FILL THIS OUT!
Graphic Design Poster Creation
For this section I looked into creating posters from clean edits
The Maquete
Light Trails
"Pretty lights :3"
For my London Project, I also loved applying light trail photography edits as they allowed me to be more experimental and abstract with the process of image-making. I travelled to locations such as the Tate Modern, Southbank, and Central London to photograph architecture and cityscapes, which provided a good foundation upon which to integrate my light trail work. The Tate Modern photo, for example, uses a black-and-white photograph of the building's hard, industrial lines and overlaid it onto splashes of orange and yellow light trails that I created in a darkroom. I loved how the image allowed me to merge two very different things—the hard, static city with the fluid, kinetic movement of light. Every picture was different and unexpected, with the paths injecting energy and a feel of life into the hard urban landscape, making the pictures look more expressive and visually interesting.
⭐️
Connect to Content
Add layers or components to make infinite auto-playing slideshows.
⭐️
Connect to Content
Add layers or components to make infinite auto-playing slideshows.